White Bird News
Up Next: Lucy Guerin’s acclaimed Split, Oct 18-20, a spellbinding duet for two female dancers, one clothed,one naked.
Read the New York Times Review
LUCY GUERIN INC October 18-20, 2018
THOMAS LAUDERDALE SING-ALONG November 11, 2018
TANGUEROS DEL SUR November 14, 2018
SHAY KUEBLER/RADICAL SYSTEM ART January 31- February 2, 2019
LES BALLETS TROCKADERO DE MONTE CARLO February 13, 2019
BEIJING DANCE THEATER February 20, 2019
COMPAGNIE HERVé KOUBI February 28-March 2, 2019
COMPAGNIE MARIE CHOUINARD March 7-9, 2019
PARSONS DANCE April 4-6, 2019
SAVION GLOVER April 9-10, 2019
PHILADANCO April 24, 2019
Lucy Guerin Inc
October 18-20, 2018
Lincoln Hall, PSU
"Teeming with rage and passion, movement, and complex relationships" -The Age (Australia)
Thomas Lauderdale Sing-Along
November 11, 2018
Grab a Song Book and Sing-Along with Thomas Lauderdale for White Bird!
Tangueros del Sur
November 14, 2018
Arlene Schnitzer Concert Hall
"Tango at its truest." - The New York Times
A Celebration of Women in Dance
White Bird is flying into its 21st season, having kicked off with Pilobolus’ incredible Come to Your Senses program that drew the White Bird community in with strength, finesse and eloquent grace. Not only was Pilobolus the launch of our season, but it was the beginning of a year dedicated to celebrating and supporting women in dance. After our 20th season, which focused on presenting diverse companies led by people of color, we decided to continue in the spirit of uplifting audiences with movement by presenting companies with strong women at their helm.
This season, we are proud to celebrate:
Renee Jaworski, Co-Artistic Director of Pilobolus
Lucy Guerin, Founder and Artistic Director of Lucy Guerin
Natalia Hills, Choreographer, Tangueros Del Sur
Wang Yuanyuan, Founder Artistic Director of Beijing Dance Theater
Marie Chouinard, Founder and Artistic Director of Compagnie Marie Chouinard
Joan Myers Brown, Founder and Artistic Director of Philadanco
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Review: ‘Split’ Is Naked and Clothed, Formal and Savage, NY TIMES
“One dancer is clothed. The other isn’t. They do the same precise motions, locked into the same rhythm, an endlessly looping drum track. The stage floor is outlined in tape, and after 20 minutes, they split it in half with more tape, restricting themselves to one side. Ten minutes later, they split it again — and again after five more minutes, and so forth, as time and area keep diminishing by half until there isn’t room for two…”
Read NY TIMES writer Brian Seibert’s full review from Lucy Guerin Inc’s NY Performance here.